Massachusetts Comprehensive Assessment System Reading Grade 7
Eighteen passages, with six questions on each, on theme, argument, word meaning, and how a text is built.
These questions are original. This is not an official Massachusetts Comprehensive Assessment System test, and FreeExam is not affiliated with the Massachusetts Department of Elementary and Secondary Education.
Three Centimeters to the Bench
Nora Hale spread a trail handout on the wall beside the Houghton's Pond kiosk in the Blue Hills Reservation in Milton. The legend gave the scale in one sentence: the map scale is 1 centimeter to 15 meters. A solid green line meant the footpath. A dashed black line meant the old service road, closed after the spring washouts. A blue shape was the pond.
Her brother Theo wanted the quarry overlook, even though it added a loop. Nora wanted the observation tower before the stairs closed at four. She laid a ruler on the green line from the kiosk door to the first bench. That path measured 3 centimeters on the paper. She called the bench a warm-up, not the hike, because the tower still sat past two switchbacks the ruler had not reached.
Theo pulled an October photocopy from his pocket. It drew the service road as a solid black line and said nothing about a closure. He said the photocopy must be newer because the ink was darker. Nora pointed to the October date in its corner and to the dashed line on the handout. Darker ink was not a later fact. The dashed line was the update, and the update was a road they were not supposed to walk.
At the bench, a sign told hikers to stay on the green footpath. The washouts had left holes a tire could hide. Nora took washout to mean a place where running water had torn the ground away, not a place to rinse boots. She folded the photocopy inside the handout instead of throwing it away. The old sheet still showed the shape of the pond. It did not show which road was safe that afternoon.
1.The handout says the map scale is 1 centimeter to 15 meters. The green path from the kiosk to the first bench measures 3 centimeters on that map. How long is the path on the ground?
2.What does Nora mean by calling the bench a warm-up rather than the hike?
3.What does the dashed black line on the handout tell Nora and Theo?
4.Why is Theo's reason for trusting the October photocopy weak?
5.At the bench, what does Nora decide the word washout means?
6.Why does Nora fold the photocopy into the handout instead of discarding it?
The Dark Part of the Program
The Ipswich night-sky club had prepared a public evening at the school observatory. Its poster promised a view of the Moon through the telescope, a short talk, and time for visitors to ask questions. A week before the event, clouds filled every forecast the students checked. The telescope session depended on a clear patch of sky, but the poster had already been distributed.
Club member Inez proposed adding “weather permitting” in small letters to the copies still at school. Her partner Sam asked about the copies in shop windows and family kitchens. “The small letters won’t walk over there by themselves,” he said. Inez disliked the idea of announcing a problem before they knew whether one would occur.
They asked families who had registered how they would hear about a change. Some checked email daily. Others had signed up on paper and supplied only a phone number. Several planned to come without registering. The club could reach many visitors, but not everyone through one channel.
The students revised the plan. They prepared a recorded telescope demonstration and a model showing the Moon’s changing appearance as it orbits Earth. A visiting astronomer would explain what a model simplified and which observations a cloudy evening could not supply. The club updated the poster, sent messages through the available contact lists, and asked the shops to display a new notice beside the old one.
On the night itself, the sky stayed covered. One visitor complained that a recording was not the view he had expected. Inez began to point to the revised notice. Then she saw an old poster folded in his hand. She showed him where the telescope stood and explained why they could not use it for the promised view. He stayed for the talk, though he did not say he was satisfied.
During the final questions, a child asked the astronomer how scientists learned anything when they could not see the object they wanted. The answer moved from repeated observations to models, instruments, and the limits of each. Inez kept thinking about the folded poster.
At the next club meeting, Sam suggested recording only the success of the indoor program. Inez added a second line: “Some visitors still arrived expecting the original plan.” She proposed a checklist for future events, including how a change would reach someone who had never joined a contact list. The clouds had hidden the Moon. They had also revealed part of the club’s work that its first poster had left dark.
7.What does Sam’s remark about the small letters emphasize?
8.Why does Inez hesitate to announce a possible change?
9.What does the visitor’s folded poster contribute to the story?
10.How does Inez’s response to that visitor differ from simply pointing to the revision?
11.What is the effect of the final image of work left dark?
12.Which conclusion best fits the club’s experience?
The Caption under the Fence
Amina’s photograph of a dark moth on a charcoal fence was selected for the Lawrence school paper. The editor left space for a caption explaining a garden-club study. Amina wrote, “The moth changed to match its new home.” It fitted neatly beneath the image.
The study folder did not fit so neatly. An earlier photograph, taken before the fence was installed, showed dark moths on pale birch bark. A table recorded both light and dark forms in that earlier population. Later counts found a larger proportion of dark moths resting on the fence. The folder also contained observations of birds capturing moths, but the observers had not followed every individual insect through its life.
Amina asked Dr. Ibarra, the project adviser, whether the word changed was wrong. The adviser asked what it described: one moth’s body, the proportion of colors in a population, or the background against which observers found the insects. Amina had used one verb to slide among all three.
She examined the capture notes. Moths that stood out against a background were captured more often in the observations. If color differences were inherited, differences in survival and reproduction could alter the frequency of colors across generations. No note showed a moth deciding to change its color, or a dark stain on an adult being passed to offspring. Still, the later resting counts alone did not measure every step in that explanation.
The paper’s space limit allowed thirty words. Amina tried a second caption naming natural selection, then discovered she could fit the term only by removing the explanation of what the table actually measured. The editor offered a link to a longer article. Amina chose a short caption about the observed shift in proportions and used the article to discuss inherited variation, bird captures, and the limits of the records.
On publication day, a reader asked whether the fence had made the dark moths appear for the first time. Amina sent the earlier photograph as well as the new one. The two pictures were not a film of one insect transforming. Their dates and the table mattered.
She kept her first caption in the draft folder. It was still a good length. Its problem had not been the number of words, but the number of different changes she had packed into them.
13.What is ambiguous about Amina’s first use of changed?
14.Why is the earlier photograph important?
15.Which evidence is most relevant to a possible survival advantage?
16.Why does the article qualify the later resting counts?
17.How does the link help resolve the space problem?
18.What does the last paragraph suggest about concise writing?
The Second Pair
Before dawn at the Gloucester pier, Captain June Park told her nephew Ren to stow a second pair of rubber gloves in the forward crate of the Gloria Jean. Ren said the crate was for bait and bands. They were only hauling a short string of traps off Eastern Point, and his hands were already tough. June answered that a short string is still a string of traps.
Past Ten Pound Island, wind stacked against the tide. A trap came up snarled with weed. Ren's glove split at the thumb on the warp, and the wet line burned his skin. June did not turn the boat around. She nodded at the crate. Ren pulled on the second pair and kept hauling. The gloves he had called wasted space were the ones that finished the string.
At the dock he rinsed both pairs and dropped the split one in the mending bag without being told. At the pier he had judged the trip by how easy the water looked. June had judged it by what a line can do to a hand when one layer fails. The extra gloves had felt like clutter in the crate. They were a spare for a tear nobody could write onto the morning plan.
19.Before the Gloria Jean leaves Gloucester, why does Captain June want a second pair of gloves in the crate?
20.What happens past Ten Pound Island that changes how the spare gloves are used?
21.What does June mean by saying a short string is still a string of traps?
22.How is Ren's judgment at the pier different from June's?
23.What does Ren's unasked-for stop at the mending bag suggest?
24.By the end of the passage, what had the extra gloves seemed like, and what were they?
Two Floods in Carver
At a bog in Carver, grower Helen Souza shows new pickers two floods that look alike and do different jobs. The harvest flood, in autumn, lifts the ripe cranberries. The berries float because air is trapped inside them. Water reels knock the fruit off the vines, and crews corral the red mat toward a conveyor. That flood is for gathering the crop.
The winter flood comes later, and it is not another harvest. It covers the vines when hard cold and dry wind could injure them. A picker named Chris asked to skip it and save the cost of pumping. Helen refused. A smaller pump bill is not a savings if the vines are lost. Under that water the bog looks still, because nobody is picking. Still water is not the same thing as a useless step.
A board by the pump house lists the harvest flood and the winter flood with their months and their purposes. The board is a sequence with two reasons. Mixing those reasons would make a person treat winter protection as if it were picking, or treat the autumn flood as if it were a blanket for the vines. Autumn water is a tool for fruit. Winter water is a cover for plants that must live until the next crop.
25.What is the main difference between the two floods at the Carver bog?
26.Why do the cranberries float during the harvest flood?
27.Why does Helen refuse Chris's plan to skip the winter flood?
28.What does Helen mean by saying still water is not a useless step?
29.What mistake does the pump-house board help a picker avoid?
30.Which statement best describes the board by the pump house?
Two Spaces on Derby Street
In a letter to the Salem Traffic Commission, seventh grader Imani Brooks asks for a raised crosswalk on Derby Street near Harbor Middle School. She does not ask the city to close the street. On four school mornings she counted 36 cars passing while students waited. Eleven of those drivers did not stop for people already in the crosswalk. She writes that the eleven are a record, not a story she built after she decided what she wanted.
A commissioner had said the raised crossing would remove two parking spaces in front of the shops. Imani agrees that the spaces matter to the merchants. She calls the loss a real cost. She still wants the crossing. Two spaces, she writes, are a bill the city can explain in a note to the shops. They are not a reason to ignore drivers who miss people already in the street.
Her last paragraph keeps the request narrow. A raised crosswalk changes the place where feet meet cars. It does not ban parking on the rest of Derby Street, and it does not claim that every driver failed to stop. Twenty-five of the counted cars did stop. The letter's claim is about the eleven who did not, at a crossing students use in the morning. The two spaces are the price of fixing that spot. They are not proof that the count is unimportant.
31.What is Imani Brooks asking the Salem Traffic Commission to do?
32.Which detail best supports Imani's claim that some drivers miss people who are already crossing?
33.How does Imani treat the commissioner's point about two parking spaces?
34.What does the last paragraph say the raised crosswalk would not do?
35.Why does Imani call the two spaces a real cost?
36.How many of the 36 counted cars did stop, according to the letter?
An Hour with the Notebook
Leo Briggs wanted his grandfather, Owen, at Saturday's soccer game in Bourne. Owen had already taken the morning shift at the canal watch beside the Cape Cod Canal bike path. Leo called the notebook in Owen's pocket just boats, and he said a person who chooses a path over a grandson is choosing distance.
Owen opened the notebook to Tuesday. A rental kayak had drifted toward the shipping channel. Owen had logged the hull color and called the canal line, and a patrol boat had reached the paddler before the barge traffic did. He told Leo the game still mattered. If another volunteer covered Saturday, he would be in the stands. Then he asked Leo to hold the notebook for one hour on the path.
During that hour Leo heard three radio calls: a slick patch by the rail, a child on the wrong side of a passing tow, and a kayak again edging the channel. He wrote the third call the way Owen had written Tuesday. When the relief volunteer arrived, Leo gave the notebook back. He still wanted his grandfather at the game. He stopped saying the shift was a way to avoid the family. It was a job of watching water that does not wait for a whistle.
37.At the start, what does Leo think Owen's canal shift means?
38.What did Owen's Tuesday note record?
39.What condition does Owen set for being at Saturday's game?
40.Why does Owen ask Leo to hold the notebook for an hour?
41.What does Leo still want after the hour on the path?
42.Which idea best states what Leo learns?
The Fence in the Postcard
On a class visit to Nauset Light in Eastham, Ranger Soto set an old postcard next to a current overlook map. The postcard shows the lighthouse close to the cliff and a fence with the words stand here for the best view. Erosion cut that bluff back. The lighthouse was moved inland so the building would not go over the edge. The fence in the picture is gone, and so is the ground it stood on.
Wes, from the class, said the shop should keep selling the postcard because it is a piece of history. The clerk said the stack should be thrown out so nobody followed a dead instruction onto an unsafe edge. Soto did not pick either plan whole. She said an unlabeled postcard behaves like directions. A labeled one can behave like history.
Her plan is a folder marked This view has changed. Inside are the postcard, the year it was printed, and a small map showing that the building was moved and the cliff was the thing that retreated. Visitors may buy the folder. They may not buy the postcard loose, as if the fence were still a place to stand. The light people came to see is the same building. The ground that once led up to it has left.
43.What does Ranger Soto propose for the old Nauset postcard?
44.What was moved inland at Nauset, and what retreated?
45.How is Wes's position different from the clerk's?
46.What does Soto mean by saying an unlabeled postcard behaves like directions?
47.What may visitors buy, and what may they not buy loose?
48.Which sentence matches the passage's ending?
Forty Barrels on the Dock
A reading packet at a New Bedford middle school holds three pages about the coasting schooner Aurelia, a vessel created for the lesson. The mate's log is dated Thursday, April 3, 1851, the day the ship returned. It records 40 barrels of oil, rain, and a torn sail. It was written at the dock, close to the hour the lines went on.
A draft museum label agrees that Aurelia returned that week. It prints 400 barrels. In the margin, a pencil note says a zero may have been added when the label was typed from the log. The label names the right ship and the right week. Its barrel line does not match the page it claims to follow.
The third page is a chapter from a novel. On the day Aurelia docks, a brass band leads a parade up the street. The log does not mention music, a band, or a parade. It mentions rain and the torn sail. The packet's cover tells students how to sort the pages. The log is a record made on the day. The label is a later summary that may have picked up an extra zero. The novel is a story that adds a celebration the record does not contain. For the barrel count, the packet points back to the mate's 40.
49.For the number of barrels, which page does the packet tell students to trust, and why?
50.What does the mate's log record besides the 40 barrels?
51.On which point do the mate's log and the draft label agree?
52.What does the pencil note in the label's margin suggest?
53.Why should the novel’s parade not be reported as established by the mate’s log?
54.Which comparison accurately distinguishes the log from the novel?
Keep-Size on the North Flat
A note from the shellfish warden in Wellfleet compares two flats. The north flat has been closed since April so the quahogs can grow. Equal October samples of 100 quahogs found 65 keep-size quahogs on the north flat and 40 on the south flat. The south flat has been open every week. It looks busy, and a larger share of its shells are put back because they are under the size.
A cousin who visited in October said the south flat had won because more rakes were in the water. The note answers that busy is a look. The result being counted is keep-size quahogs, and on that result the north flat is ahead. The closure has a cost the note does not hide: families who rake the north flat lose a season of trips.
A separate line on the same page is about a different kind of closing. If a harmful bloom is posted, both flats shut, even where the shells are already large enough to keep. Size is not a pass through a bloom. The warden writes that a reader who reports only the busier flat has dropped the column the growth closure is using, and a reader who ignores the bloom line has mixed a harvest rule with a health rule.
55.On the result the Wellfleet note is actually counting, which flat is ahead?
56.Why is the cousin's October conclusion weak?
57.What can close a flat even when its shells are already large enough to keep?
58.What mistake does the warden describe at the end of the note?
59.What cost of the north-flat closure does the note refuse to hide?
60.Which statement matches the warden's note?
The Count and the Empty Chair
At a fictional Holliston youth council meeting, members considered keeping the community room open later on Fridays. The rule required more than half of the members present to vote yes. Thirteen members attended. Seven voted yes, five voted no, and one abstained. The chair announced that the proposal passed.
Nora, who wrote the council newsletter, drafted the headline “Council Unites for Later Hours.” Her friend Malik had cast the abstention. He asked her to include it. Nora argued that his vote had not changed the result. He pointed to the rule: he still counted as present, even though he had not chosen yes or no.
Malik had not abstained because he disliked the room. He wanted to know whether a later closing would require a second staff member. The proposal included funding for one, but no one at the meeting could confirm whether a second person would be needed. He had asked that question before the vote. Nora’s notes contained it in the margin, beneath the cost estimate.
A member who voted yes said the uncertainty should not erase the need: on three Fridays, students had waited outside while earlier groups packed up. A member who voted no agreed that the waiting was inconvenient, but wanted shorter reservations instead of later hours. Both asked Nora not to reduce their positions to caring or not caring about students.
Nora rewrote the article. It gave the result, identified the abstention, and described the unresolved staffing question. She removed unites from the headline. Before sending the issue, she left a blank beside the planned implementation date because the council still needed the center manager’s approval.
A week later, the manager approved a trial on two Fridays with existing staffing, followed by a review. The newsletter updated the blank. It did not describe the trial as a guarantee of permanent hours.
At the first late opening, Nora saw Malik pulling chairs into a circle. His abstention remained in the printed count. His help remained visible in the room. She made a note of both, leaving enough space between them for neither to cancel the other.
61.Why does the proposal pass under the stated rule?
62.Why is Nora’s first headline misleading?
63.What do the yes and no voters’ comments have in common?
64.Why does Nora leave the implementation date blank at first?
65.How does the manager’s trial limit the decision?
66.What is the effect of showing Malik arranging chairs at the end?
The Board across the Dory
Jules arrived at the Essex boat shop with a list of words he had copied from an old adventure novel. He intended to use them as soon as possible. When Pat asked him to mind the thwart, he grinned. In his book, a villain had tried to thwart an escape. He stepped around the boat, searching for whatever might block his way.
Pat pointed inside the dory. A broad board crossed the hull, worn smooth near its middle. She placed a folded cloth on it and asked Jules to sit while she checked the oar’s reach. His list stayed in his hand, suddenly less useful than he had expected.
The shop’s open-day visitors would arrive at noon. Pat wanted a short card explaining where a rower sat. Jules wrote a paragraph about a brave sailor overcoming obstacles. Pat read it once and asked a visitor from the next room to follow its instruction. The visitor looked over the dory’s bow and asked where to put her feet.
Jules took the card back. He began again with the board’s location and added the shop word beside a drawing. This time the visitor sat where Pat needed her. Jules was pleased until a younger child asked why the card used a word that sounded like stopping someone. He almost said that the child had misunderstood. Then he remembered his own trip around the hull.
Pat suggested adding a small note about the word’s other use. Jules drew two boxes: one for the board in the boat, another for a sentence from his own invention in which a locked gate thwarted a plan. He kept the example short enough that the first instruction remained easy to find.
At noon, he watched visitors use the card. Most looked first at the drawing. Some read the second box and smiled. One person asked about how the board was fastened, a question the card did not answer. Jules fetched Pat rather than inventing a fastener from his novel.
Before leaving, he folded his word list into the back of his notebook. On the front page he drew the dory and the seat across it. He had used fewer adventurous words than planned, but he could now ask for the right brush without walking around the boat.
67.Why does Jules initially search around the boat?
68.Which detail most directly helps infer the shop meaning of thwart?
69.Why does the first visitor test reveal a problem with Jules’s card?
70.How does Jules’s response to the younger child begin to change?
71.Why does Jules ask Pat about the fastener?
72.Which central idea is developed?
March at Revere Beach
The shack is a pocket pulled inside out, boards pale where a sign used to hang. Wind files the railing to a thin bright wire. My sleeve ticks the metal and then ticks again.
No one buys fried dough. The grill is a cold pan. Footprints unzip along the seawall and are gone, as if the beach were taking its stitches out. A plane writes chalk over the water and flies on.
I came for the summer crowd and met the other work: gulls sorting wrack, the tide editing the shore. A paper cup of sand sits in the closed window, a small silly flag that someone meant to return.
73.In the first stanza, what does a pocket pulled inside out suggest about the shack?
74.What is happening in the line Footprints unzip along the seawall and are gone?
75.How does the third stanza change the speaker's reason for coming?
76.What does the paper cup of sand come to mean in the last lines?
77.In Wind files the railing to a thin bright wire, what is the wind being compared to?
78.Which description best fits the speaker's attitude at the end?
Two Columns, Two Ribbons
The signed judges' sheet at the Springfield school science fair puts the river-sediment project first. The sheet has two columns. One column is the judges' awards. The other is the audience award, given by the loudest clap at the end. The volcano project is first in the audience column and third in the judges' column.
In the hallway, students chant that the volcano won. A photo of its blue ribbon moves faster than the sheet. The ribbon's band reads Audience Favorite. Nothing on the band says the judges ranked it first. The chant is loud, and the photo is real. Neither one is the signed ranking.
The fair guide tells the school paper how to print the night. The signature on the sheet means the judges' column is the official place order. The audience column is a different prize, and it stays in its own column so applause is not rewritten as a ranking. Merging the columns would make one ribbon look like the other prize. The paper's headline follows the signature: sediment first, with the audience favorite named in the next sentence, not in the same one.
79.Why does the Springfield fair sheet use two columns?
80.Why can the hallway chant feel true even though it does not match the judges' column?
81.Where does the volcano project place in each column?
82.What does the signature on the sheet tell the school paper?
83.What would go wrong if the paper merged the two columns?
84.What headline does the passage say should follow the signature?
Batteries on the Table
A cottage on Nantucket, during a power outage. A radio, a flashlight, and a small fan sit on the table. Only a few batteries remain. ADA and BEN are siblings.
ADA: The radio gets the first batteries. The ferry notice is at six. BEN: The dark feels stopped. Give me the fan. ADA: A fan does not warm a cold room. BEN: Then we sit here and listen to weather we cannot change.
Stage direction: Ada's voice stays flat. Her hands shake as she lines the batteries up. Ben drops his coat over the cat without looking at Ada and without saying the cat's name.
ADA: You can have the light after the six-o’clock bulletin. You can have it now if you stop pretending you are not cold. Stage direction: Ben does not answer in words. He puts the fan back in the closet, nods, and moves his chair closer to the stove.
85.In their spoken lines, what are Ada and Ben disagreeing about?
86.What do the stage directions show about Ada that her flat voice does not say?
87.What does Ben do for the cat without announcing it?
88.What offer does Ada make about the flashlight?
89.What has Ada understood about Ben by that last spoken line?
90.A reader who skipped the stage directions would miss which ending?
Slack Water at the Cut
A paddling note from a club in Gloucester explains the Annisquam River, the cut that ties Gloucester Harbor to Ipswich Bay. On the sample morning in the note, the current at 9 a.m. runs south toward the harbor. By early afternoon it slacks, then runs north. A paddler who leaves at 9 using a plan copied from a 2 p.m. trip is lined up with the wrong push.
The note separates three words that people fold together. The tide is the rise and fall of the water. The current is the sideways push through the narrows. Slack is the short pause when that push is weakest, and it is the time the club uses to turn or to land. A paddler who calls all three the tide will miss the pause and fight the push.
A chart from last October hangs in the barn, and the club does not steer by it. Clock times of the turns shift from day to day, so the whiteboard by the door is rewritten each morning. The river keeps its name. The direction of the push does not keep yesterday's direction. A pleasant memory of a trip is not a measurement of this current.
91.In the Gloucester club's note, what is slack?
92.What is wrong with leaving at 9 a.m. on the sample morning while using a plan copied from a 2 p.m. trip?
93.Why does the note refuse to let tide, current, and slack share one name?
94.Why is the whiteboard rewritten each morning?
95.What does the note mean by saying the river keeps its name?
96.Which definition matches the note's word current?
The Plain Square
Helen Cho is finishing a border on a family quilt in Sturbridge. Older squares carry a stitched date and a thing that happened: a mill closing in Worcester, the move to Sturbridge, the winter the pipes froze. The newest square is plain cloth. Noor says it looks unfinished and asks to embroider the town fair, with flags, so visitors will not think Helen forgot a year.
Helen says she did not forget. That year includes a fight the family has not agreed how to tell. A fair that did not happen would be neat and false. The blank square is a decision. It marks a year she will not invent. When the family can say the hard part without turning it into a prettier day, she will stitch. Until then the empty cloth is the honest record.
Noor still hears a blank as quitting. Helen lets her stitch the border, which is only a frame, and asks her not to fill the square. By evening Noor can tell a cousin the difference. A frame holds the quilt together. A made-up fair would hold a lie. She leaves the square empty. On a paper pinned to the back she writes only the year, so the date is not lost while the story waits.
97.Why is the newest square on Helen Cho's quilt plain cloth?
98.What does Noor misunderstand when she calls the square unfinished?
99.Why does Helen refuse the embroidered town fair?
100.What difference does Noor learn between the border and the square?
101.What is the paper on the back of the quilt for?
102.Which statement best fits the passage?
Names at the Overlook
In an essay for a Belchertown class, Marisol Vega asks for the names Dana, Enfield, Greenwich, and Prescott to be cut into a low stone at the Winsor Dam overlook. Before the Quabbin Reservoir existed, those four towns were disincorporated so the Swift River valley could be flooded to supply water to metropolitan Boston. Marisol writes that the water is real and the loss is real.
A brochure in the visitor center already tells the story. Marisol says a rack can be missed by someone who walks only to the rail, looks at the basin, and leaves. Names at the overlook would meet that visitor. A letter in the paper answers that the brochure is enough, and that a stone might crowd a place that is also a working dam. Marisol grants both points. She does not ask anyone to open restricted dam rooms, and she does not pretend the four towns are still standing to be toured.
She calls the stone a small cost beside streets that cannot be walked. Her last paragraph says what the names are for. They do not undo the reservoir. They keep a person from calling the water empty, as if nothing had been given up to fill it. The basin is a supply. It is also the map of four towns that gave up their place. Both sentences can be true, and the overlook should have room for both.
103.What does Marisol Vega want at the Winsor Dam overlook?
104.Why does Marisol say the visitor-center brochure is not enough?
105.Which points from the newspaper letter does Marisol grant?
106.What is Marisol not asking for?
107.What does Marisol mean by calling the water empty?
108.What two ideas does Marisol's last paragraph insist can be true together?